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From the port of Brindisi to the walls of Valesio

BR4 municipalitiesdraft
Brindisi - colonne romane di Brindisi - 202109012259 2 · photo Stefn79 ph, CC BY-SA 4.0, Commons

Brindisi · San Vito dei Normanni · San Pietro Vernotico · Torchiarolo · BR

Four municipalities in the province of Brindisi, linked by an idea of the 2015 regional map-guide: route no.46, “Fra boschi, storia e archeologia”, from Brindisi to San Pietro Vernotico and to Torchiarolo. The theme holds only in part, and it is worth saying so. The history is there, and it is dense with documents; the archaeology has its centre at Valesio, whose materials are found in the provincial museum of Brindisi; the woods rest on a single source still to be re-verified, which describes the cork-oak wood of Santa Teresa and dei Lucci. San Vito dei Normanni was not on the 2015 route, and its information comes almost entirely from Wikipedia: it will get a few lines. An unexpected thread, instead, links the places to the years 1943-1945, when the king stayed in three of these municipalities. The journey is for those who willingly read a town through its documents.

At a glance

Duration. 4 days.

The route

Day 1 — Brindisi, the port

We begin from the water. The Regione Puglia sheet describes the natural port “shaped like a deer's head wedged into the mainland”. According to Wikipedia, at Punta le Terrare there was a Middle Bronze Age village, with Mycenaean pottery. Rome conquered Brindisi in 267 BC, and here, writes the same source, Virgil died on 21 September 19 BC. The Roman columns are for the Region the “symbol of the city”; Wikipedia says they are in Proconnesian marble, perhaps from the 2nd century AD. The Castello Svevo, according to the Ministry of Culture sheet, was built by Frederick II in the first half of the 13th century, and the cathedral saw him married: on 9 November 1225, according to Wikipedia, he married Isabella of Brienne there, and in 1227 he sailed from here for the crusade. The same cathedral was damaged by the earthquake of 1743. The Region also points out the Aragonese Forte a mare, recognisable by “the red colour of the stones”, and the Monumento al Marinaio, 53 metres high, in the form of “a large rudder in carparo”; Wikipedia dates it to 1933-1934 and attributes it to Luigi Brunati. Between September 1943 and February 1944, Wikipedia also recalls, the city was the provisional seat of the government and of the royal family: it is the thread we will take up again in the following days.

Day 2 — Brindisi, churches and museums; San Vito dei Normanni

For the medieval stones the dates given by Wikipedia apply, pending official confirmation: San Benedetto, from around 1090, with the 11th-century cloister; San Giovanni al Sepolcro, circular in plan, perhaps from the beginning of the 12th; Santa Maria del Casale, from around 1300, with 14th-century frescoes. The Palazzo del Seminario, of 1720, is the work of Mauro Manieri and houses the Museo diocesano “Giovanni Tarantini”, with a silver reliquary of San Teodoro. At piazza Duomo 6 the Museo archeologico provinciale “F. Ribezzo” holds, according to the ISPRA sheet, Messapian trozzella vases and materials from Valesio: a foretaste of the last day. Wikipedia describes the reserve of the Bosco di Santa Teresa e dei Lucci, about 65 hectares of cork-oak wood divided into clusters, with the valonia oak, a site of community importance: it is the only trace of the “woods” of the 2015 title, and the managing body has not yet been read.

San Vito dei Normanni must be told with caution, because its information comes from Wikipedia and from the FAI. It was called San Vito degli Schiavi; the present name was resolved in 1862 and approved by royal decree on 13 December 1863. The mother church of Santa Maria della Vittoria was erected, writes Wikipedia, after the battle of Lepanto (1571), in honour of the victory. In the countryside there is, according to Wikipedia, the rock church of San Biagio, of Orthodox rite, carved into a cave. The FAI points out in the town the Castello Dentice di Frasso, with its square tower. And in 1943, writes Wikipedia, Victor Emmanuel III also took refuge here.

Day 3 — San Pietro Vernotico

San Pietro Vernotico has, for once, a Ministry of Culture sheet that follows its history by dates. The sheet places, “presumably”, the birth of the settlement at the end of the 8th century around the church of San Pietro Apostolo, founded by Italo-Greek monks in an area of pastures called “Pabula Vernatica”. In 1107 Countess Sighelgaita, widow of Count Goffredo of Brindisi, donated lands to a “Casale di San Pietro”; in 1133 Count Accardo of Lecce gave the village to the bishop of Lecce, and the grant was confirmed by William II in 1180 and by Constance, empress and queen of Sicily, in 1195. The village grew around a quadrangular tower of disputed origin; from 1300 it was “Universitas Sancti Petri Vernotici”. The GAL Terra dei Messapi relates that from the baronial tower, by tradition, the Turks were sighted, and on the Sunday after Easter the Festa dell'Asta della Bandiera commemorates the episode with a procession. The mother church of Santa Maria, in the square, is from the 15th century, partly rebuilt in 1758 and widened from one to three naves between 1854 and 1905. The town of today, however, takes shape in the second half of the 19th century: land reclamation, the Brindisi-Lecce railway, labourers who came from lower Salento, 6,180 inhabitants in 1911 and, at the beginning of the 20th century, about 55 wine-making plants and palmenti. In 1927 it passed from the province of Lecce to the new province of Brindisi. In via Stazione the Villa del Cavalier Valletta, according to the FAI, was commissioned by Antonio Valletta on the model of the villas of lakes Como and Annone and designed by the Milanese Enrico Barbieri: four levels in Lecce stone, eight chimneys, today owned by the municipality. At the end of the war it was requisitioned, and Victor Emmanuel III stayed there. Here, writes the GAL, Domenico Modugno spent his childhood and took his first steps as a singer. The next day, the vanished city.

Day 4 — Torchiarolo and Valesio

In Torchiarolo, in piazza Castello, the GAL points out the Palazzo baronale of 1698, with a square tower, and, on the same square, the mother church of Maria Santissima Assunta, from the end of the 16th century, and the church of the Rosario with a canvas of San Giuseppe of 1715. The GAL recalls that the town was among the most exposed to Turkish raids, and the coat of arms, according to Wikipedia, bears a Turk chained to a tower; in the countryside the GAL points out the towers Bartoli and Lo Muccio, built as lookout posts against those who came from the sea. The sanctuary of the Madonna di Galeano preserves an ancient fresco of the Madonna and Child, and its fair runs from Holy Saturday to the Tuesday after Easter. But the reason for the place is Valesio. The city, Balesium in Strabo and Baletium in the Tabula Peutingeriana according to the FAI, went from a settlement of huts to a walled city and was a Roman post station. The walls, according to the GAL, trace an irregular ellipse with seven gates and a thickness of over 5 metres, best preserved at Campisani, Masseria Piccola and Masseria Grande. It was destroyed in 1157, and Wikipedia reports the hypothesis of G. Marzano that its refugees made the village of Torchiarolo grow. The journey, in our proposal, closes within these walls, whose objects were seen in Brindisi.

DRAFT of 2026-11-08 · local only · gate run: PASSES WITH CORRECTIONS, 19 defects corrected · not approved

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